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  Exhibition Program 2010  

 
22 April to 23 May 2010

Two exhibitions that showcased and celebrated a century of exquisite women’s handiwork were on display in April and May.  “This collaboration between the Gallery, Pringle Cottage Museum, Warwick and District Historical Society and Stanthorpe artist June Fiford has enchanted us all”, says Gallery Director Karina Devine,  “It is a privilege to be able to display this exceptional hand work in a gallery setting”. 

 

June Fiford’s exhibition “Treasures for a Grandmother – Hilda’s Doiley” was inspired by her own grandmother and a doiley with mauve flowers and a yellow crochet edge.  The original piece was probably part of a duchess set with the two smaller doilies being lost over time.  “I loved the simplicity of the design, the skill of the embroiderer and the family history of the piece,” said June, “I have used fragments of the doiley as inspiration for my gold embroidered work ever since.”

 

Girls, Brides then Young Wives

To support June’s exhibition of gold work and Kantha embroidery, iwas a captivating collection of wedding gowns and Hope Chest articles dating from 1867 on loan from Pringle Cottage Museum and private collections.  The garments were grouped by era with most recent gown worn in the 1960’s.  President of the Warwick and District Historical Society Janice Flood initiated the project as she become aware of the fragility of the textile collection at Pringle Cottage.  “I really wanted to share their beauty with an audience but they are too delicate to model or put on permanent display.  Viewing the garments in this way is like touching the past.  The viewer can create their own story about the wearer – their hopes, their dreams, their struggles and their sadness.”

 

27 May to 27 June 2010

A Brush with the Land
The land, with all its personality and spirit, was the inspiration for Warwick artist Dawn Marriage whose first solo exhibition opens at Warwick Art Gallery this week.  Dawn has been painting for 11 years and has exhibited before in group exhibitions.  She has also inspired many new artists by teaching her unique technique in several popular workshops in 2009. 

 “The effects of the elements and time, along with the cycles of life, leave designs and shapes that continually stimulate my imagination” said Dawn, “my paintings are influenced by nature and the reactions I have to it”.  Dawn’s technique involves using traditional materials such as acrylic paint and charcoal which she combines with sand, small seeds, modelling compound, rice paper and tissues.  The lusciousness of the textures she creates is what makes her paintings so popular with the viewers.

Where Rainbows Live
Our local children will adore this exhibition.  The Gallery is very pleased to be able to exhibit the 13 original artworks that were created for the delightful children’s picture book Where Rainbows Live by Denise Vanderlugt from the Whitsundays in North Queensland.    Her inspiration for the book was her local environment – the rainforest, the reef, wetlands and open spaces.  She has been a full time quilt maker since 1982 and her work is recognized in Australia and overseas.  The book was published in 2007 with the story illustrated by the quilts and the text embroidered onto linen.  In 2008 the book won two International Awards, a Bronze medal in the Independent Publishers Book Awards and a Gold medal for a Spirit Award in the Moonbeam Children’s Book Awards. 

Denise has also developed a technique for making three dimensional forms such as baskets from fabric.  The baskets feature in her book and these will also be on display.  Denise has been invited by Warwick Art Gallery to be a guest tutor at this year’s Jumpers and Jazz in July festival.  All places in her class are taken but you will be able to meet her in Warwick on Saturday 17th July at 10 am and 2 pm when she will do a special reading of her book at the Gallery.  You will also see her spectacular jelly fish artwork in a palm tree for the tree jumper exhibition which starts on Thursday 15 July.

A Dogs Life
Many people will be familiar with Dion’s work from the Cheeky Dog tee shirts that adorn the backs of Northern Territorians and tourists alike.

Dion Beasley is a 19 year old Indigenous artist from Canteen Creek near Tennant Creek in the N.T. Dion was born profoundly deaf and has muscular dystrophy. With his friend and mentor Joie Boulter, Dion has been producing Cheeky Dog images for tee shirts and bags for a number of years.

This exhibition sees a whole new side to Dion’s work. Ten large limited edition hand coloured prints give a humorous and astute observation into the community life of Canteen Creek’s camp dogs and introduces several new characters. The works were printed at Julalikari Arts in Tennant Creek under the guidance of Alan Murn.

These works captivate and delight and highlight the wonderful contribution artists with disabilities make to our cultural and artistic life. Murn says

“The works on print are more than very, very good drawings of dogs. Dion’s line work is very confident and very skilful. His use of space that he works within is very clever, and his perspectives and perceptions are highly developed for someone without any training.”

A Dogs Life is a touring exhibition from Artback NT:  Arts Development and Touring in conjunction with the Australia Council for the Arts, and supported by the Northern Territory Government through the Department of Natural Resources, Environment and the ARTS and Arts Access Australia.  It is on display at Warwick Art Gallery from 27 May to 27 June.



1 July to 8 August

Second Life Mary Elizabeth Barron



Artist Statement

"When making art from recycled materials the work retains a memory of the materials original function. The pieces in this exhibition are made predominately from my old clothes and those of my family and friends. In their first life they were clothes, utilitarian and practical and their purpose in this first life helps to inform their second life as art. Our clothes are very personal and intimate and in using them to make these sculptures they embody the work with these qualities. Also being made predominately from the clothes of loved ones they are embedded with their memories and our shared experiences. Both the physical form and the emotional memories guide and inspire the form of these sculptural pieces.

The exhibition represents second life not only because I use recycled materials but also on a personal level. I spent my ‘first life’ being a wife, mother and home educator now that my children are grown I have embarked on my ‘second life’ as an artist. This exhibition is the current embodiment of my ‘second life’ which of course builds on and is informed by the first."

Then to Here Liz Stuart



Artist Statement

"For the last five years I’ve been collecting found objects and photographing interesting surfaces changed by weather and time such as rust, stones, fungus and old partially buried machinery from horse drawn drays, ploughs and car wrecks to old iron bed ends and other household items, as I roam around the paddocks on my parents’ farm.  This property was once smaller farms on my father’s side, going back several generations.I look for irresistible pieces of glass, ceramics and metal shining in the sunlight where these homes once were. 

The fragments are traces of their domestic lives long gone.  I feel like I’m on an archaeological dig, dusting off little artifacts from the dirt, piecing together their stories and finding new places for them in my art.  That is how I came up with the title Then to Here: from way back before my time (then) to now (here).

 The wire I use to bind the objects together symbolises our lives bound through blood and place.  I also collected red dirt and stones from Toowoomba and old crochet cottons to bring my mother’s side of my family in.  I’ve combined these in my three dimensional hangings and charcoal drawings of Mother Earth, who has the double symbolism for all the mothers of those generations who created families down the line to me here now.

These art works have been the gathering and interpreting of little moments of identity and place in time, through the parallel world of my imagination."

15 to 25 July

Tree Jumper Exhibition 2010
The premier event on our exhibition calendar - we take the art out of the Gallery and into the streets and parks of the Southern Downs.  150+ "tree jumpers" will inspire and amaze you.

12 August to 26 September

David Carson’s Video Dome - an innovative new media artwork The viewer is immersed in a full sensory experience, surrounded with vision and sound, inside a 5 metre inflated dome. Made in collaboration with colleagues from his exhibition to Lapland capturing 3D footage of the Auraro Borealis.

Video Dome is an exhibition of new media curated by David Carson.

The national tour is managed by ART ON THE MOVE.

The exhibition has been supported by the National Exhibitions Touring Structure for Western Australia Inc. through the State Exhibition Development and Touring Funds.

The exhibition is also supported by Visions Australia, an Australian Government program supporting touring exhibitions by providing funding assistance fro the development and touring of cultural material across Australian.

ALSO on display to coincide with the Monaro Nationals being held in Warwick on the 3rd to 6th of September...

GTS Robert Moore

A 3 m x 2.5 m x 6 m Moulded inflatable plastic sculpture of a Holden Monaro with etching ink detail

This sculpture was commissioned by Ipswich Art Gallery in 1999 with the assistance of a State Government Project Grant from Arts Queensland.  Kindly on loan from Ipswich Art Gallery.

30 September to 14 November

Fantastic Fibres Warwick Quilters and Textile Artists

The talented members of this group share their recent work with us, representing a broad spectrum of textile art and quilting techniques.  As part of the exhibition, the participants were challenged to produce a piece of work celebrating a particular colour in the spectrum.

18 November to 21 January

Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland

The first major exhibition of works curated solely from Queensland’s regional gallery and university collections. It represents a rare opportunity for visitors to view and engage with significant artworks as part of the celebrations for Queensland’s 150th year.

Twelve Degrees of Latitude draws on the collections of twenty-seven regional galleries and universities. The exhibition focuses on why and how Queensland’s regional collections began, their historical roles within their communities, the role of patronage and donor support in their growth and development, and the strength of the state-wide regional gallery culture. Twelve Degrees of Latitude represents a significant opportunity to focus on the vital contribution made by Queensland’s regional and public galleries to the state’s cultural landscape.

The exhibition illustrates the diversity, as well as significant linkages, of regional collections through the following themes or groupings:
Group 1: Pre-20th Century Art
Group 2: Landscape and Figures in Landscape
Group 3: Other 20th Century Art (1900-1990)
Group 4: Indigenous Art
Group 5: Art Post-1990

CURATORS
Bettina Macaulay (Lead Curator)
Brett Adlington

ARTISTS including:
Tony Albert, Davida Allen, Richard Bell, Gordon Bennett, John Coburn, Max Dupain, Fiona Foley, Rosalie Gascoigne, Craig Koomeeta, Alasdair Macintyre, Ron McBurnie, Tracey Moffatt, Rosella Namok, Sidney Nolan, Dennis Nona, Margaret Olley, Patricia Piccinini, Gwyn Hanssen Pigott, Ben Quilty, Scott Redford, Lloyd Rees, William Robinson, Jeffrey Smart, Arthur Streeton, Ken Thaiday Snr., Alick Tipoti, Judy Watson, Anne Zahalka, Michael Zavros
.

Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland is a Museum and Gallery Services Queensland travelling exhibition. M&GSQ acknowledges the assistance of Anna Bligh MP, Premier of Queensland and Minister for the Arts, through the Queensland Government Exhibitions Indemnification Scheme.
 
The regional tour of Twelve Degrees of Latitude is proudly supported by the Tim Fairfax Family Foundation, The John Villiers Trust, International Art Services and the Regional Galleries Association of Queensland and has received financial assistance from the Queensland Government through Arts Queensland.
 
This exhibition has received development funding from the Queensland Government's Q150 Community Funding Program. Q150 gives Queenslanders the opportunity to celebrate and commemorate our state’s 150th anniversary.  Twelve Degrees of Latitude is supported by the Gordon Darling Foundation, Phillip Bacon Galleries and the Visual Arts and Craft Strategy, an initiative of the Australian, state and territory governments.