pARTicipate began as a biennial event in 2011 with the goal to offer local artists the opportunity to exhibit and receive recognition for their work alongside their Southern Downs peers.
Artists who live on the Southern Downs (resident or rate-payer) are invited to enter. One work per artist representing one of the following categories will be accepted for display:
Drawing Ceramics Mixed Media Painting
Printmaking Sculpture Textiles
Sixteen cash prizes will be awarded
MAJOR AWARD $1000 sponsored by WARWICK CREDIT UNION
CATEGORY PRIZES x 7 $200*
5 x $100 ENCOURAGEMENT AWARDS SPONSORED BY ROSE CITY SHOPPINGWORLD
1 x $100 PEOPLE’S CHOICE AWARD
AWARD FOR BEST ENTRY by an artist aged 10 - 14 years $250
AWARD FOR BEST ENTRY by an artist aged 15 - 19 years $250
*awarded at the discretion of the judge
Entry Forms - coming soon
Media Release - coming soon
Media Release - coming soon
The exhibition, Proximities, considers how our assessment of space and distance determine our emotional experience of objects - whether that is awe at the sight of a supernova exploding in the far reaches of the universe, or alarm at a discarded plastic bag floating in the ocean just metres from an unsuspecting turtle; whether that is a feeling of peace as our nearest star, the sun, shines benignly on a tranquil bushland creek; or amusement at the incongruous herd of cattle grazing against the improbable backdrop of Surfer Paradise skyscrapers.
Proximities starts with several dramatic works inspired by images from the Hubble Telescope. The focus is on the sublime. There is a frisson of fear. We feel glad it is "out there". Yet it is also within us. Because we are made of stardust.
Back on Earth, the paintings consider the ocean, from which life began. When organisms evolved on to dry land, they took the sea with them. “All the basic activities of life occur in water-filled cells bounded by membranes, tiny containers whose insides are remnants of the sea”*. We regard the sea as "out there", yet the sea is inside us.
From the sea, the paintings segue to landscape. Stuck indoors, glued to our devices, we regard nature as "out there". Yet the love of nature and the need to see it is "coiled in our bones, laced in our marrow, steeped in our blood"*. Albert Einstein went on to inspire: "The most beautiful thing we can experience is the mystery of nature; it is the source of all true art and all science."
Proximities also considers the homo sapien sense of exceptionalism in relation to other animals. Various other species are depicted in portraits or via inclusion in the landscape. How close are we to them? After all, they, too, are made of stardust.
Official Opening by Dr Julie Fragar Saturday 28 August 2021 at 10.30 am
Artist Talk "What makes a good painting" by Amelia Willmer Saturday 18 September 2021 at 10.30am
The Allora Photography Club’s exhibition Seasons of the Southern Downs endeavours to showcase the diversity and range of seasonal changes, within the Southern Downs regions, over the previous twelve months.
The Clubs’ main aim is to promote, educate and encourage photographers, of all skill levels and expertise, in the many aspects of photography, in an enjoyable, helpful and social atmosphere at their monthly meetings and regular group excursions. Their Members were encouraged to incorporate their individual expression and artistic interpretation of this subject to display their love and enjoyment of photography.
Image: Autumn Granite Belt Brewery Park Gale Ward
Plan your visit to Warwick Art Gallery using our Exhibitions Calendar.
Our three unique exhibition spaces are updated every 4 to 8 weeks. We are open 10 am to 4 pm Tuesday to Saturday.
COVID19 Safety Plan Updated 28.05.2020 Click here to read
|MAIN GALLERY||ORANGE WALL GALLERY|
15 Jul - 21 Aug 2021
(closed 22 Aug - 25 Aug for changeover)
Darling Downs Textile Art Group
|15 Jul – 28 Aug 2021||
The Front Room
Warwick Art Gallery Yarntopians
26 Aug - 2 Oct 2021
|2 Sept - 9 Oct 2021||
Seasons of the Southern Downs
Allora Photography Group
|8 Oct - 13 Nov 2021||Presenting the entire Warwick holdings in the Southern Downs Regional Council collection - a special event for the Condamine Country Art and Open Studio Trail (6 & 7 November)||14 Oct - 27 Nov 2021||
In Sight 4
Student artwork from Warwick State High School
|18 Nov - 22 Dec 2021||pARTicipate Local Artist Competition and BURST 4 Local Youth Art Competition||2 Dec 2021 - 15 Jan 2022||
Baltic Mini Textile Gdynia exhibition
On tour from Gdynia City Museum, Poland
|6 Jan - 12 Feb 2022||
Algalrhythms - Life Movement
|20 Jan - 26 Feb 2022||
Books on Tour - The Artist and the Author
|17 Feb - 26 Mar 2022||
Touring exhibition from the National Portrait Gallery
|3 Mar - 9 Apr 2022||
Bespoke: Prints, Paper, Process
The Warwick Art Gallery Yarntopians create large scale knitted and crocheted installations. This year they enjoyed indulging their fond memories of the lounge rooms of their childhoods.
The Front Room is an eclectic and colourful room where you can remember long days of relaxing on the shag pile carpet while listening to your favourite vinyl records.
The Darling Downs Textile Art Group (DDTAG) is an organisation of artists based on the Darling Downs who are dedicated to textile and quilt art practices. The rationale for this new body of work was to explore music, both its history and ceremony, as a nod to the Jazz music that is performed throughout Warwick’s iconic Jumpers and Jazz in July festival.
Members of DDTAG have developed works for this project over a period of almost two years using one unusual element as inspiration – the Pianola roll.
Historically, the pianola roll has played its part in a chain of inventions that have resulted in the computers of the modern world. In the same way a painter uses paint, a textile artist uses fibre. This can be from many diverse sources such as those derived from plants, animals, inorganic compounds or in the case of the paper in the Pianola roll, from wood and other plant waste.
In Musicale, the artists have literally used the paper rolls explore and communicate contemporary textile ideas, or they have extracted a notion or design element unique to the paper roll as inspiration for their design.
Suzanne Bauer, Jenny Burgess, Jo Eagle, Noeleen Fleming, Hilary Fogerty, Denise Hart, Kay Joyce, Sue Jurd, Gillian Knott, Marion Lees, Elizabeth Schmidt, Sue Schmidt, Jan Scudamore, Barbara Stephenson, Jolanta Szymczyk, Sandra Tessmann and Iet van Vonderen
Image: Jenny Burgess Blue Ridge Mountain
Rose was born in the Philippines and with her family emigrated to Australia in 2011 to live on the Southern Downs. As a child she always liked to draw, mostly portraits of her family and friends. After high school she attended the University of Angono Rizal System in the Philippines and studied advertising.
Rose paints almost every day. Painting is familiar and comfortable and like breathing for her. It is an essential part of her life. Some of her influences are William-Adolphe Bouguereau, John Singer Sargent & Gustav Klimt. At present she is working towards a blend of impressionism and expressionism in her art.
This series of artworks depict people in locations on the Southern Downs. There is an emphasis, in several of her works, to interpretation of the scene from a distance giving an air of mystery, while others are open and natural.
Image: Butterfly Dreaming Rose Czarine Albendia Acrylic on canvas
This touring installation of 200 drawings is only a fragment of the 2400 individual sheets Robert MacPherson made over two
decades that together form the single huge work ‘BOSS DROVERS’ 1996–2014.
MacPherson was born in 1937 and is celebrated today as a senior Australian contemporary artist, renowned for apparently simple works that gently unfold to reveal something more complex. His works frequently explore overlooked aspects of his subject matter, allowing viewers to gain a more nuanced understanding of the circumstances surrounding a particular situation.
‘BOSS DROVERS’ demonstrates several aspects of MacPherson’s practice, especially the way he plays with ‘traditional’ aspects of art, such as landscape, portraiture and the authority of an artist’s signature. MacPherson made these drawings in the guise of his alter ego, Robert Pene, a Year 4 student at St Joseph’s Convent in Nambour, Queensland. Each sheet includes the portrait and name of a boss drover responsible for moving livestock and teams of stockmen along the great pastoral stock routes of Australia.
The work is simultaneously magnificent in scale and remarkable for its intimacy, and at first seems rooted in a very specific way of representing these rugged bush personalities. However, ‘BOSS
DROVERS’ ultimately opens up like the pages of a book, revealing richly interwoven poetic markers of places and people whose identities and life in the country are in danger of fading from view.
‘Robert MacPherson: Boss Drovers’ is a touring exhibition developed by the Queensland Art Gallery | Gallery of Modern Art.
Image: Robert MacPherson Australia b. 1937 1000 Frog Poems: 1000 Boss Drovers ("Yellow Leaf Falling") For H.S. (detail) 1996-2014 / Graphite, ink and stain on paper / 2400 sheets: 30 x 42.5cm (each) Purchased 2014 with funds from the Queensland Art Gallery | Gallery of Modern Art Foundation, Paul and Susan Taylor, and Donald and Christine McDonald Courtesy the artist and Queensland Art Gallery | Gallery of Modern Art
Photograph: Natasha Harth, QAGOMA
Launched in 1993 in Gdynia, Poland
One of Europe’s leading reviews of textile miniatures
Artists from all over the globe
The juried event is held every 3 years
“The small scale lets artists experiment with complex, intricate techniques and use delicate, ephemeral materials. The huge variety of the artists own techniques and fascinating artistic solutions show us that textile miniatures are a fully independent, important genre, full of potential.”
Anna Śliwa Exhibition Curator
Warwick Art Gallery and Brisbane based/Polish born artist Jolanta Szymczyk are collaborating to bring the Baltic Mini Textile exhibition to Australia in 2021/2022.
Approximately 40 works have been selected by the curator Anna Śliwa for the tour, a combination of free standing and hanging works.
Itinerary (correct 16 March 2021 but subject to change)
22 May – 13 July 2021 Capalaba Art Gallery, Capalaba, Queensland
22 July – 18 August 2021 Colac Otway Performing Arts & Cultural Centre, Colac, Victoria
27 August – 15 September 2021 The Old Ambulance Station, Nambour, Queensland
2 October - 20 November 2021 Bonegilla Migrant Experience, Block 19, Wodonga, Victoria
4 December 2021 – 15 January 2022 Warwick Art Gallery, Warwick, Queensland
22 January – 12 March 2022 Dogwood Crossing @ Miles, Miles, Queensland
15 May – 19 June 2022 Cowra Regional Art Gallery, Cowra, New South Wales
Work on this exhibition started in 2012 when Queen of Tea Cosies Loani Prior and photographer Mark Crocker travelled to six towns in three states meeting tea cosy guardians and recording their stories. From these meetings Mark has produced 40 black and white portraits of the interviewees with their tea cosies in colour. Their stories have been turned into an audio presentation and delightful quotes about family, friendship and the joy of owning something handcrafted.
This exhibition also stars 20 exuberant TEA COSIES created by Loani Prior, author of three best selling books, Wild Tea Cosies, Really Wild Tea Cosies and How Tea Cosies Change the World. They are knitted objets d’art, woolly sculptures; clever and funny, like nothing you will have seen before.
The exhibition was displayed first in Warwick during Jumpers and Jazz in July 2013. The tour includes the following locations: Mittagong, Northern Territory, Hervey Bay, Miles, Longreach, Bundaberg, Ballina and Canberra. The tour was completed in 2015. Mark Crocker's prtraits are now part of the Warwick Art Gallery collection.
This project is supported by the Visual Arts and Craft Strategy, an initiative of the Australian state and territory governments and by Arts Queensland in the Department of Science, Information Technology, Innovation and the Arts.
This project has also been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.